Reviews of Attainable Hi-Fi & Home-Theater Equipment


Reviews of Attainable Hi-Fi & Home-Theater Equipment


The Mothership ReturnsEagle ER202572
Format: CD, DVD

Musical Performance ****1/2
Sound Quality ***1/2
Picture Quality ****
Overall Enjoyment ****

 

Return to Forever, the jazz-rock fusion group Chick Corea established in 1972, has been through several personnel changes over the last 40 years, but its most popular lineup featured Corea on various keyboards, Al Di Meola on guitar, Stanley Clarke on bass, and Lenny White on drums. That group folded in 1976, but reunited in 2008 for a tour and a live two-CD set, Returns. In 2011, Corea, Clarke, and White formed what they’re calling Return to Forever IV, with guitarist Frank Gambale and the venerable French jazz violinist Jean-Luc Ponty. The Mothership Returns is a three-disc set (two CDs, one DVD) culled from the group’s 2011 tour.

Mike SternHeads Up HUI-33186-02
Format: CD

Musical Performance ***1/2
Sound Quality ****
Overall Enjoyment ***1/2

 

Jazz guitarist Mike Stern is probably known best for his stints with Miles Davis in the 1980s, but he’s also played with Blood, Sweat & Tears, Billy Cobham, Jaco Pastorius, and Michael Brecker. That’s a typical résumé for a musician who didn’t immediately jump into leadership or stardom, and it’s the sort of background that breeds versatility. Stern’s new disc, All Over the Place, is his 15th, and the title might be a nod to the variety of compositions and settings Stern has given himself to stretch out in. He’s brought in a broad spectrum of jazz musicians to help develop the 11 compositions here, all by Stern, and each brings a key element to one or more of the tunes. The surprise is that a disc made up of so many combinations of musicians and styles hangs together so consistently.

The Best of Sam CookeSony Music/Analogue Productions CAPP 2625 SA
Format: Hybrid SACD

Musical Performance ****1/2
Sound Quality ****
Overall Enjoyment ****

 

Sam Cooke is a significant figure in American culture and music: a singer whose effortlessly smooth and beautiful voice had just enough edge in it to help introduce soul music to white American kids in the late 1950s and on into the ’60s. His posthumously released single "A Change Is Gonna Come," which hit No.31 in 1965, was an early anthem of the civil rights movement, and Cooke himself came to embody the hopes, aspirations, and tragedies of African-American life. He had a profound influence on such later soul singers as Solomon Burke and Otis Redding, as well as on rock singers. Van Morrison, Rod Stewart, Cat Stevens, and the Band covered his songs, and Bruce Springsteen’s "Mary’s Place" is an homage to Cooke’s "Meet Me at Mary’s Place."

Radio Music SocietyHeads Up HUI 33626-00
Format: CD

Musical Performance ****
Sound Quality ****
Overall Enjoyment ****

 

Esperanza Spalding’s command of multiple musical idioms is evident in "Radio Song," the first track of her new disc, Radio Music Society. She injects a hint of jazz vocalise after a couple of verses of nicely developed funk inspired by Earth, Wind & Fire. It’s not only that she’s brash enough to throw jazz into the mix, it’s also the ease with which she makes the transition -- you hardly notice until it’s there. Radio Music Society is more groove-heavy than Spalding’s three previous discs, and jazz purists will probably see it as a bid for commercial success. But her inspirations are the sophisticated soul of Stevie Wonder and EW&F, and jazz fans should find her harmonic flights beautiful and daring.

Ahmad JamalJazz Village SP9570001
Format: CD

Musical Performance ****1/2
Sound Quality ****
Overall Enjoyment ****1/2

 

I lost count of the number of albums listed in the discography on Ahmad Jamal’s website, but his newest, Blue Moon: The New York Session, brings his recordings as leader to over 50. Jamal will be 82 in July, and he’s still bursting with ideas. Early in his career he was unfairly accused of commercialism, a charge that Miles Davis, for one, dismissed out of hand. Jamal’s use of space and economy of notes was a strong influence on Davis, who encouraged Red Garland, the pianist in his 1950s quintet, to play like Jamal.

Leonard Cohen - Old IdeasColumbia 88697986712
Format: CD

Musical Performance *****
Sound Quality ****
Overall Enjoyment *****

 

Leonard Cohen is a poet, novelist, painter, and singer-songwriter, and a figure of such sartorial grace that he makes even Bryan Ferry look a bit shabby. He’s a Companion of the Order of Canada (one of several honors he’s received there), and in 2008 was inducted into the Rock and Roll Hall of Fame. His standing as a poet in music puts him in the same category as Bob Dylan and Paul Simon, both of whom are better known but no more widely respected. Cohen, born in Montreal in 1934, has seven years on both of those singer-songwriters, and, like them, is writing about mortality, romance, spirituality, and the mysteries of aging.

Wish You Were HereEMI/Analogue Productions 5099952243325
Format: Multichannel SACD/CD

Musical Performance ****1/2
Sound Quality *****
Overall Enjoyment *****

 

Two years after their phenomenally successful 1973 LP, Dark Side of the Moon,Pink Floyd followed up with another very popular album, Wish You Were Here.That record’s chief themes are the exploitive nature of the music business, the effect of fame on a band’s camaraderie, and the loss of a friend -- specifically, the loss of the band’s leader and guitarist, Syd Barrett, to mental illness and drug abuse.

Stop and GoSonic Zen Records SZ110908
Format: CD

Musical Performance ***1/2
Sound Quality ****
Overall Enjoyment ****

 

One of the first things I noticed about Jeff Campbell’s Stop and Go is that the acoustic guitars sound like acoustic guitars. My guess is that Charlie Wilson, the engineer at Sonic Zen Studios, recorded them by placing a microphone near the sound hole. Electric acoustic guitars or acoustics with a pickup recorded through an amp sound less open and, well, woody.Wilson has an ear for how an instrument should sound, and it’s that kind of detail that gives me confidence in a recording.

Miles DavisEagle Vision EV303669
Format: DVD

Musical Performance ****1/2
Sound Quality ****
Picture Quality ***1/2
Overall Enjoyment ****

 

When Montreux Jazz Festival founder Claude Nobs asked Miles Davis to appear at the festival in 1973, the great trumpeter’s reply was typically acerbic: "Your offer is an insult to my color and talent." When Nobs finally convinced him, Davis demanded a Ferrari, then complained when it was red instead of silver. Working with Davis took a lot of patience, but the results over a long career were worth the effort. Miles! Live at Montreux: The Definitive Miles Davis at Montreux DVD Collection 1973-1991 -- over 18 hours of music on ten DVDs from his appearances at Montreux -- is a testament to the brilliant, sometimes difficult music Davis was making in the last third of his life. Nobs produced the 20-CD, 19-hour set of Davis’s Montreux performances for Columbia/Legacy in 2002, and much of that music is included here.

Eagle Vision/Reelin’ in the Years Productions EV303859
Format: DVD

Musical Performance *****
Sound Quality ***
Picture Quality ***1/2
Overall Enjoyment ****

Ray CharlesWhen Ray Charles appeared at the Antibes Jazz Festival in July 1961 during his first European tour, he’d just finished a great run of recordings with Atlantic Records and was well on his way to international stardom. The main events on this DVD are two complete sets from July 18 and 22, with selections from the July 19 and 21 sets filling out the program to just over 110 minutes.

Along with his four backup singers, Charles took seven instrumentalists with him to Europe, and they open each set with two jazz instrumentals that let the players, including David "Fathead" Newman, Hank Crawford, and Charles himself, show off. The rest of each set comprises many of Charles’s best-known tunes, including "Let the Good Times Roll," "Georgia on My Mind," and "What’d I Say." The musicians sound tentative in spots on the first set, but by the last day of the festival they’re relaxed and swinging. A comparison of the same songs in three of these sets shows how, within a fixed arrangement, Charles left room for improvisation and chance.

The performances were originally filmed for French television and edited to be broadcast as highlights from the festival. The producers of this release tracked down 105 minutes of film, along with radio recordings of the full sets. They’ve done a heroic job of reconstructing and syncing the film and filling in the gaps with footage of the audience. The 16mm film quality is very good, while the mono sound is lively if not of audiophile quality. Despite that slight reservation, Live in France 1961 is an essential document for Ray Charles fans and students and lovers of American music.