• SoundStage! Shorts - McIntosh Laboratory MA252 Integrated Amplifier (November 2017)
  • SoundStage! InSight - Hegel H90 and H190 Integrated Amplifiers (October 2017)
  • SoundStage! Shorts - How Hegel's SoundEngine Works (October 2017)
  • SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)
  • SoundStage! InSight - NAD Viso HP50 Headphones (May 2016)
  • SoundStage! Shorts - GoldenEar Technology's Anechoic Chamber (May 2016)
  • SoundStage! Shorts - PSB's M4U 4 Earphones (April 2016)
  • SoundStage! InSight - GoldenEar Technology's Triton Two+ and Three+ Loudspeakers (March 2016)
  • SoundStage! Shorts -- KEF's LS50 (February 2016)
  • SoundStage! InSight -- Monitor Audio's Platinum II Series (January 2016)
  • SoundStage! Shorts -- Pryma 0|1 Headphones (December 2015)
  • SoundStage! InSight -- KEF's Blade Two Loudspeaker (November 2015)
  • SoundStage! InSight -- KEF and the Uni-Q (October 2015)
  • SoundStage! InSight -- Monitor Audio Acoustics & Aesthetics (August 2015)
  • SoundStage! InSight -- PSB's Imagine T3 Loudspeaker (June 2015)
  • SoundStage! InSight -- Hegel's H160 Integrated Amplifier-DAC (April 2015)
  • SoundStage! InSight -- MartinLogan's Neolith Loudspeaker (February 2015)

Prestige/Analogue Productions APRJ 7180
Format: LP

Musical Performance
****1/2

Sound Quality
****1/2

Overall Enjoyment
****1/2

Although, in his liner note for Rudy Van Gelder’s 2005 remastering of Gene Ammons’s Boss Tenor, Bob Porter calls this 1960 recording a “masterpiece,” he points out that Ammons was not in great shape at the time: “That it came off as well as it did is something remarkable. Take a look at the cover photo. Gene Ammons is as high as a Georgia pine.” Indeed, Ammons looks as if he’ll nod out at any moment.

dBpm/Anti- 87438-2
Format: CD

Musical Performance
***1/2

Sound Quality
****

Overall Enjoyment
****

I am always tempted to throw words like “daring” and “experimental” at Wilco, but my favorite discs by them are so tuneful it is easy to forget the thorny guitar sounds that sometimes populate them. Summerteeth (1999), Sky Blue Sky (2007), and The Whole Love (2011) are filled with melodies that stay with you the way the great AM hits of the ’60s did, but with enough noise and edge to make them bracing and challenging.

Blue Note/Music Matters MMBST-81595
Format: LP

Musical Performance
*****

Sound Quality
*****

Overall Enjoyment
*****

The current availability on vinyl of many classic albums from Blue Note Records pleases jazz fans like me, but it can be a little confusing to shop for them. About a year ago, when I looked online for a LP of Somethin’ Else, Julian “Cannonball” Adderley’s 1958 recording for the label, I had a choice of pressings. I’d intended to buy the reissue that was part of Blue Note’s 75th anniversary celebration, but instead bought a 2008 pressing mastered by Ron McMaster (Blue Note 7 46338 1).

Interscope 20023337 02
Format: CD

Musical Performance
***1/2

Sound Quality
****

Overall Enjoyment
****

On tour, Tame Impala is a five-piece band, but in the studio it’s all Kevin Parker. He plays every instrument and sings all vocals on his recordings, and produces, engineers, and mixes the results. I wasn’t surprised to learn that Parker’s inspiration for Lonerism (2012), Tame Impala’s second full-length album, was Todd Rundgren’s epic 1973 recording, A Wizard, a True Star. Rundgren similarly keeps a firm hand on every aspect of his recordings, on which he, too, has occasionally played all of the instruments.

Columbia 88875 08914 2
Format: CD

Musical Performance
****

Sound Quality
***

Overall Enjoyment
****

When I saw the cover of Leon Bridges’s debut CD, Coming Home, I thought I was looking at a compilation of tunes by a little-known regional soul singer from the 1960s whom I’d somehow missed. I expected to find a Wikipedia page that would tell me of his passionate following in England among Northern Soul fanatics. Turns out that Bridges has just turned 26, and hails from Fort Worth, Texas.

TOSOD Music
Format: CD

Musical Performance
****

Sound Quality
****

Overall Enjoyment
****

Rickie Lee Jones moved to New Orleans a few years ago, and the city’s spirit and rich musical heritage have obviously inspired the music on The Other Side of Desire, her first disc since 2012’s The Devil You Know. She recorded it in studios there, with local musicians. She writes warmly of New Orleans in her liner notes and she seems to have been revitalized by her time there -- The Other Side of Desire is Jones’s first disc of all new songs in ten years.

Concord CRE-35380-00
Format: CD

Musical Performance
***1/2

Sound Quality
****

Overall Enjoyment
****

James Taylor hasn’t recorded an album of new songs since 2002’s October Road, although he released a Christmas album in 2004 (reissued by Columbia in 2006), and a collection of material by other songwriters, Covers, in 2008. In his liner notes to his new disc, Before This World, Taylor says he took 2013 off to write. He found somewhere to isolate himself, and began writing lyrics to melodies that had begun as demos he recorded with his band in 2010.

Capitol Records/ATO Records B002282802
Format: CD

Musical Performance ***1/2
Sound Quality **1/2
Overall Enjoyment ***

 

My Morning Jacket is the kind of band I tend to like. They are beyond category, encompassing everything from prog to Americana, and the band’s guitarist, Jim James, writes tunes that are both challenging and hummable. For me, the group showed its depth and versatility when it played “Ophelia” and “It Makes No Difference” for an appearance on Love for Levon, a tribute concert to Levon Helm that is available on DVD. While retaining their own identity, they showed an understanding and deep appreciation of the Band that many of the acts on the bill with them lacked.

Cleopatra CLP 2103
Format: CD

Musical Performance ***1/2
Sound Quality **1/2
Overall Enjoyment ***

 

Canned Heat began when two blues lovers and avid record collectors, Bob Hite and Alan Wilson, decided to start a band. Wilson, who sang and played guitar and harmonica, was an avid scholar of the blues who had appeared on a 1965 recording with Son House shortly before meeting Hite. Canned Heat played at the two key late-1960s festivals, Monterey and Woodstock, and had two big hits, “Going Up the Country,” and “On the Road Again,” both reworked from earlier blues tunes.

Consolidated Artists Productions CAP 1040
Format: CD

Musical Performance ***1/2
Sound Quality ***1/2
Overall Enjoyment ***1/2

 

When Dizzy Gillespie appeared at Ronnie Scott’s Jazz Club, in London, in August 1973, he hadn’t recorded for a few years, but was about to enter a period of regular studio work courtesy Norman Granz’s Pablo Records. As Doug Ramsey explains in his liner notes to Dizzy Gillespie’s Live at Ronnie Scott’s, Volume 1, the great trumpet player was coming off a month of one-nighters when he arrived at Scott’s for a two-week stand. This disc is one of four, separately available, documenting that extended stay.