• SoundStage! Shorts - McIntosh Laboratory MA252 Integrated Amplifier (November 2017)
  • SoundStage! InSight - Hegel H90 and H190 Integrated Amplifiers (October 2017)
  • SoundStage! Shorts - How Hegel's SoundEngine Works (October 2017)
  • SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)
  • SoundStage! InSight - NAD Viso HP50 Headphones (May 2016)
  • SoundStage! Shorts - GoldenEar Technology's Anechoic Chamber (May 2016)
  • SoundStage! Shorts - PSB's M4U 4 Earphones (April 2016)
  • SoundStage! InSight - GoldenEar Technology's Triton Two+ and Three+ Loudspeakers (March 2016)
  • SoundStage! Shorts -- KEF's LS50 (February 2016)
  • SoundStage! InSight -- Monitor Audio's Platinum II Series (January 2016)
  • SoundStage! Shorts -- Pryma 0|1 Headphones (December 2015)
  • SoundStage! InSight -- KEF's Blade Two Loudspeaker (November 2015)
  • SoundStage! InSight -- KEF and the Uni-Q (October 2015)
  • SoundStage! InSight -- Monitor Audio Acoustics & Aesthetics (August 2015)
  • SoundStage! InSight -- PSB's Imagine T3 Loudspeaker (June 2015)
  • SoundStage! InSight -- Hegel's H160 Integrated Amplifier-DAC (April 2015)
  • SoundStage! InSight -- MartinLogan's Neolith Loudspeaker (February 2015)

To Hans Wetzel,

Thanks for the Devialet 120 review. I was wondering if you experienced it at very low volume, and, if so: what is/was your take on it?

I am asking because I read two reviews (glowing, as usual, with Devialet) about a real weakness with very low-volume listening where the music loses its momentum. What Hi-Fi? goes as far as to not recommend it if very low-volume listening is regular, which is my case. Hence my question to you, Monsieur.

I heard the Devialet twice and was very impressed with it as a concept, but ultimately it had that elusive so-called musicality (whatever that means) that makes or breaks a product, in my opinion. I must admit I pretty much felt the same about the Hegel Music Systems H300 you mention in the review, thinking: why pay more when it does everything so right and sounds so great? But the Devialet is soooo sexy, clever, and foward-thinking compared to, well, anything really.

Also, it was great to read the Devialet 120 and Wadia Intuition 01 reviews back-to-back, although at first I thought you should have compared and contrasted more these two pieces, as they are quite similar products aimed at the same clientele. Then again, re-reading both reviews, one got an award and a rave, but the other didn't. Chris Connaker at Computeraudiophile.com pretty much said the same as you.

Anyway, thanks for the reviews; you've been read, and if you have anything to add to the low-volume thing, I would like to know.

Thanks again Monsieur.

Simon
Canada

I have read about the low-volume complaint, but I feel confident in saying that I heard nothing of the sort. Neither did our editor-in-chief, Jeff Fritz, who is currently testing the 120's SAM feature. What this could be ascribed to, perhaps, is what I mentioned about the Devialet's treble in my review. Because it does not have quite the zest and air of a traditional class-AB amp, it may sound a hair turned down, or muted, by comparison, at low volumes. But I cannot emphasize enough, that this is by comparison only. I was thoroughly, deeply, hugely impressed with every aspect of the Devialet 120's sonic performance, and firmly believe it punches far, far beyond its price point. I do not think it a stretch to say that it offers truly reference-level sound. It sounds like you heard what I did in your two auditions with the piece and that is hardly a surprise.

As for the Hegel H300, which I referenced in the review and use as a reference integrated amplifier-DAC, I maintain that it's a standard bearer at its price point of $5500. Competing designs from Bryston and Simaudio should also be mentioned in the same breath, but the Hegel takes it for me. If you're using a pair of inefficient loudspeakers in a very large room, then the Hegel would make a great deal of sense. Make no mistake about it, however: The Devialet 120 is bluntly the better amp, and the very best I have heard. Doug Schneider, founder and publisher of SoundStage!, agrees, as does Jeff Fritz. I can't fathom a stronger endorsement. . . . Hans Wetzel