GOODSOUND!GoodSound! "Editorial" Archives

July 1, 2004

 

Welcome to GoodSound!

I began collecting records in high school. By the time I got to college, I was seriously addicted to vinyl LPs and their younger siblings, CDs. My addiction was enabled by my living in downtown New York City, less than a block from a fantastic, cheap record store (Sounds on St. Mark's Place, now just a shadow of its former self). After I graduated, my addiction subsided; in only a few years’ time I found myself without a decent stereo, and with most of my music in storage at my parents' home. What made me give up my love of music during this period remains a mystery, but I'm sure graduate school and the opposite sex had something to do with it.

Not long after getting married, I began to realize how much I missed listening to music seriously. After examining what passed for my "hi-fi" at the time, I decided that the first step on my way back to musical nirvana would be a better stereo system. Being a fancy-pants intellectual (I was still in graduate school), I treated this problem as I treated all problems: begin with research, evaluate the findings, and reach a conclusion. So, off to the newsstand I went to find magazines that reviewed audio equipment. I bought a sampling of the usual suspects and went home to start my new research project.

My research project didn't get off to a great start, however. The magazines I’d bought had some interesting articles and plenty of reviews, but each seemed to be one of two types, and neither type was very helpful. On the one hand were magazines with wonderfully detailed reviews that told me everything I'd want to know about a product. The only problem was that the products reviewed were way beyond my budget (did I mention that I was a graduate student?). It was great to know that a $3000 turntable would play my LPs with tonal accuracy, but how about a $300 turntable? I don't think even the phono cartridges reviewed in those magazines cost that little. On the other hand were magazines that did discuss less-expensive equipment, but the articles -- they couldn’t really be called "reviews" -- read more like advertisements than serious critical appraisals. These magazines seemed to prefer telling me about the products’ features rather than their sound quality. The budding or budget-minded audiophile, it seemed, was left without a home or place of his or her own.

We here at GoodSound! are committed to being the home for just those audiophiles. Whether you’re just starting out, or simply don't want to spend a mortgage payment for interconnect cables, we want you to know that you're welcome here. No matter what others might say, you can have a musically satisfying stereo on a real-world budget, and we're here to help you achieve that goal. We want to give you serious, detailed reviews of audio components that won't break the bank and will provide years of musical enjoyment. We want to inform you about how to correctly set up your system, and provide you with articles not only about the electronics, but also about recordings we think you'll enjoy.

Beginning next month, we'll be introducing some subtle changes that we hope will make GoodSound! an even more inviting place for you to visit. If you’re a regular reader, be sure to stop by and see what’s new. It would also be a good time to tell your friends, audiophile and novice alike, to stop by and check us out. As always, we'll be right here, waiting for you, in the sweet spot.

…Eric D. Hetherington


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